The release of Yash Raj Films’ (YRF) ‘Alpha’, starring Alia Bhatt and Sharvari, has sparked an intense debate among film critics and audiences. While the movie has been praised for introducing the first female-led chapter in the YRF Spy Universe, many reviewers argue that it struggles under the influence of the hyper-nationalistic tone popularised by Aditya Dhar’s ‘Dhurandhar’ films. According to critics, Alpha attempts to match the patriotic intensity of Dhurandhar but falls short by relying on familiar spy-film formulas instead of developing a fresh identity.
A Changing Landscape for Indian Spy Films
For years, the YRF Spy Universe—including films such as Tiger, War and Pathaan—has been known for combining large-scale action, glamorous locations and patriotic themes. However, the massive success of Dhurandhar and its sequel Dhurandhar: The Revenge has shifted audience expectations. Those films were praised for their gritty storytelling, detailed espionage world-building and grounded portrayal of intelligence operations, even as they also attracted criticism for their nationalist messaging.
Critics Say ‘Alpha’ Leans Too Heavily on Nationalism
Several reviewers argue that Alpha embraces similar patriotic themes without offering the emotional depth or realism that made Dhurandhar resonate with audiences. According to one review, the film turns its female protagonists into symbols of nationalism rather than fully developed characters, resulting in action sequences that feel repetitive and emotionally distant. Critics describe the film’s patriotic messaging as predictable, suggesting that it prioritises spectacle over character development.
Comparisons to ‘Dhurandhar’ Were Inevitable
Following the release of Alpha, social media was flooded with comparisons to Dhurandhar. Many viewers felt that Aditya Dhar’s films had raised the benchmark for Indian spy thrillers through stronger writing, believable espionage tactics and greater narrative tension. Some users argued that Alpha appears more conventional in comparison, relying on familiar action sequences and dialogue rather than introducing a fresh cinematic approach
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